Around the world in 8 ways is a foreign film consisting of seven short cinemas.
Bendik and the Monster
- Originated in Norway, Benedik and the Monster is a cartoon about a little boy named Benedik who is pressured to live the “manly” life by his mother’s boyfriend whose bond shows a purely heterosexual In the middle of the movie Benedik meets a monster, which he helps pursue the monsters dream of becoming a singer. In this short film the audience learns to find yourself and to experiment with your identity.
- Scaffolding is about two male nieghbours who capture a relationship and connect over the construction of a their building. In this film the audience gets a grasp of the idea of homosexuality with the reality of two males engaging in a relationship.
- The following film called Last Farewell shows an aging man morning over the loss of his husband, and in the end he finally is able to let go.
- Das Phallometer that is based on a true story, shows a refugee crossing the border. While being questioned, the refugee admits to being homosexual and is sentenced to a phallometric test.
I love Her
- Next to this film a Ukrainian movie, I love her, about a musician who spends her days busking on the street meets a women passing by and together they find love. At the end of the movie it states that the Ukraine is a highly homophobic With a country’s mentality like this, heterosexism is highly affected in the Ukraine, where it is believed that heterosexuality is the normal sexual orientation.
- Kuhani, a Uganda based movie orients around a Priest who is prosecuted based on the country’s Anti-Homosexuality Act that has been recently passed. It is shown in this film that citizens of Uganda face compulsory heterosexuality as it is seen to be illegal if one engages in a homosexual relationship.
- The last film called Butterfly shows a transgender couple who both have Asperger’s and while admitted into the LGBTQ community they confront their own gender identity.
Overall, I thoroughly enjoyed this movie. It was interesting to see how different parts of the world deal with the idea of LGBTQ community. Some places around the world have acknowledged the fact that heterosexuality is not the norm for everyone, and accept those who do not fit this gender identity. For example in the movie Das Phallometer the refugee is welcomed to Germany because he passed the absurd phallometeric test. While on the other hand, places such as Uganda one might face serious consequences when admitting to be homosexual. This is shown in Kuhani, where Father Musaala is victimized because of the Anti-Homosexuality Law placed in Uganda. Due to the immense difference in the seven cinemas, the audience gets a grasp of a variety of different camera work, lightning, and visual design. In the movie Benedick and the Monster the audience is exposed to special effects and animation, as the movie is purely cartoon based. On the other hand, Kuhani, the camera work looked very shaky and immature almost as if it was a home video and was filmed on a camera phone. The originality for this movie was definitely unique, as I’ve never experienced a movie that expressed the LGBTQ community in different parts of the world. It is hard to compare this type of move to a movie that is similar, although the film industry around the world expressed LGBTQ people in different ways than Western Society. In Western society I feel is more accepting to LGBTQ. For example, there are more transgender people shown in popular TV or Movies such as Orange is the New Black. Western Society also accepts homosexual relationships on the big screen such as in the TV show Glee, or the movie GBF. Overall, the movie was quite enjoyable and I overall had a splendid time at Reelout.
There is one scene that I really enjoyed in the third movie, the Last Farewell. At the beginning of the movie it is seen that the father resents his daughter because she gave consent for a character named Papa to die. The audience does not know who this Papa person is and what his relationship is to the main characters of the movie. When the father imagines Papa in his presence, it is finally realized that that the Father and Papa are engaged in a homosexual relationship, and are in love. The father explains to Papa that he is angry because he feels that he left him. In the end the Father is able to let it go and move on with his life. Finding out the relationships between these two characters was very shocking, as throughout the film I believed that Papa was the Grandpa. By realizing that the characters were in a love relationship it made a great plot twist and made the move more intriguing. Mystery and curiosity were added to the mix when the director made the characters aware of what is happening while the audience is not aware. Through the fathers relationship with Papa one can understand that heterosexuality does not have to be the norm in every family, and homosexual people are able to live “normal” life as well.
My overall personal experience attending the festival was interesting. My first thought pulling up to the screening room was confusing. When you first walk you see a concession stand on the left, my friend and I were confused and thought we had the wrong address. We then proceeded to upstairs towards the theatre. The theatre was old but gave off a homey feel. The workers there were very personable which overall created an unthreatening environment. The theatre seats were pretty empty but consisted mostly of University students, which made me feel confortable because they were on the same boat as me. There were some local people of Kingston who came to voluntarily came to watch, which was interesting because I didn’t realize the Reelout was that big of a festival. I wish an event such as Reelout were held in my home city, Toronto, so I can attend more movies such as this one.